Conservatory students standing next to Thayer Hall with instruments
Conservatory

When you’re ready to refine your skills and become one of the select few who make their careers as classical musicians, it’s time for the Colburn Conservatory of Music. Our faculty are among the top instructors in their fields, and our alumni include some of today’s most dynamic young soloists, chamber groups, and orchestral musicians.

“O Tigre da Fortuna” é um emocionante slot inspirado na majestade dos tigres, oferecendo aos jogadores uma experiência de jogo repleta de aventuras na selva. Com cinco rolos e múltiplas linhas de pagamento, este jogo oferece uma jogabilidade dinâmica e emocionante. Os gráficos impressionantes transportam os jogadores para o coração da selva, onde encontram símbolos como tigres, presas, florestas e outros elementos da vida selvagem.

Além disso, Jogo do Tigre apresenta uma variedade de recursos bônus, como rodadas grátis, multiplicadores e símbolos selvagens, que aumentam as chances de ganhar grandes prêmios. Com uma trilha sonora envolvente e efeitos visuais impressionantes, este slot cativa os jogadores desde o primeiro giro.

Combinando a emoção do jogo com a beleza da natureza, Tiger Fortune é uma escolha popular entre os amantes de slots que buscam uma experiência de jogo emocionante e gratificante.

Karissa Zadinsky
Because of Colburn, I've studied under some of the world's best teachers and chamber music coaches. Each experience has been entirely unique and taught me something valuable I can carry with me into my professional career. Karissa Zadinsky, cello, Bachelor of Music '17; cellist, Pittsburgh Symphony Orchestra

The Colburn Conservatory of Music has one goal: to prepare you for a career as a professional musician. Our undergraduate and graduate degrees, as well as two specialized certificate programs, are designed to address the needs and goals of pre-professional musicians like you, at all stages of development.

As a student in the Conservatory of Music, you get the chance to perform in a collaborative, supportive environment, not just with your colleagues, but with faculty members and world-renowned guest artists. Our career development programs ensure you develop not just as a musician at the highest level of skill and artistry, but as an innovator and educator.

The Conservatory of Music provides the opportunities for you to learn from expert faculty how to be thoughtful independent thinkers and exceptional performers who are aware of the impact of art on their communities and are prepared to perform on the world’s great stages. If you would like to be added to our database, you may complete our Conservatory Inquiry Form. Once submitted, we may notify you of special events or deadlines using the information that you provide to us on the Conservatory Inquiry Form. To schedule a tour, please contact Admissions at admissions@colburnschool.edu.

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Watch Our Weekly Recital Series

Performance Forum allows students to showcase stage-ready works in a formal, supportive environment.

 

Meet Our Faculty

Jordan Nelson, DMA
Chair, Music Theory and Aural Skills, Colburn Conservatory

Jordan Nelson is a composer of instrumental, vocal, electronic, and electro-acoustic music

James Wilt
Trumpet Faculty

Associate Principal of the Los Angeles Philharmonic, whose practical experience and expertise has established Colburn as a dominant force in the trumpet community and has produced consistent, real-world success

Jonathan William Brown
Chamber Music and Viola Faculty

As violist of the Cuarteto Casals, Jonathan William Brown performed in all of the major concert halls in Europe, North America, and Asia and made numerous recordings on the Harmonia Mundi label. As a guest violist, Jonathan has performed with the Tokyo, Jerusalem, Kuss, Marmen, Miro, Zemlinsky, Quiroga, and Armida quartets.

Brandon J. Rolle, PhD
Music Theory and Ear Training Faculty

Dr. Brandon J. Rolle is a composer whose work fuses traditional methods with research in acoustics, psychoacoustics, and computer-assisted approaches to composition. He was a student of pioneering composers Pauline Oliveros at Mills College and Clarence Barlow at UC Santa Barbara.